EMANSIPASI DALAM FILM HABIBIE AINUN 3: STUDI ANALISIS NARATIF

Muhammad Ruslan Ramli, Tesya Febriani Sari, Yumeldasari Chaniago, Euis Nurul Bahriyah

Abstract


This research discusses the narrative analysis of the Film Habibie Ainun 3 with an emphasis on the emancipation aspect. Through the character Ainun, this narrative analysis looks at the struggle of a woman living life with her family who lives far from her homeland. Ainun struggles to be a wife and mother in her family. Ainun seemed to continue Kartini's struggle through the emancipation movement. The problem of this study is how emancipation occurs in the film Habibie Ainun 3 as a narrative analysis study with the aim of explaining the emancipation narrated by the film Habibie Ainun 3. The analysis uses the Tzevetan Todorov model and modifies Lacey. The research method uses descriptive qualitative with a constructivist paradigm. The result of this research shows that women's emancipation is narrated in a clear and real way, the plot in this film is also in accordance with Todorov and Lacey's narrative analysis theory. The main character is described as having a strong desire and determination to inspire the audience. The research is reinforced by stories from film actors that the film Habibie Ainun 3 contains strong elements of women's emancipation and the struggle against gender equality are very high.

Keyword: The Habibie Ainun 3 Film, narrative analysis, emancipation

 

This research discusses the narrative analysis of the Film Habibie Ainun 3 with an emphasis on the emancipation aspect. Through the character Ainun, this narrative analysis looks at the struggle of a woman living life with her family who lives far from her homeland. Ainun struggles to be a wife and mother in her family. Ainun seemed to continue Kartini's struggle through the emancipation movement. The problem of this study is how emancipation occurs in the film Habibie Ainun 3 as a narrative analysis study with the aim of explaining the emancipation narrated by the film Habibie Ainun 3. The analysis uses the Tzevetan Todorov model and modifies Lacey. The research method uses descriptive qualitative with a constructivist paradigm. The result of this research shows that women's emancipation is narrated in a clear and real way, the plot in this film is also in accordance with Todorov and Lacey's narrative analysis theory. The main character is described as having a strong desire and determination to inspire the audience. The research is reinforced by stories from film actors that the film Habibie Ainun 3 contains strong elements of women's emancipation and the struggle against gender equality are very high.

Keyword: The Habibie Ainun 3 Film, narrative analysis, emancipation

 


Full Text:

PDF

References


Anbiya, I, Rina J, dan Annisa W Arsyad (2018). Perjuangan Emansipasi Perempuan dalam Film “Kartini” Karya Hanung Bramantyo dalam Perspektif Semiotika Roland Barthes. 8 (4): 78-92

Arvianti, Indah (2011). Pengungkapan Ideologi Patriaki pada Teks Tatawicara Pernikahan dalam Budaya Jawa. 2 (2): 102-138.

Eriyanto. (2013). Analisis Naratif: dasar-dasar dan penerapannya dalam Analisis teks Berita Media, Jakarta Prenadamedia Group.

Fachruddin, Andi. 2012. Dasar-dasar Produksi Televisi: Produksi Berita, Laporan Investigasi, Dokumentasi dan Teknik Editing. Jakarta: Prenada Media Group.

Sobur, Alex. (2016) Komunikasi Naratif: Paradigma, Analisis, dan Aplikasi. Bandung: PT Remaja Rosdakarya

Stok, Jane (2007). How to Do Media and Cultural Studies. Panduan untuk melaksanakan penelitian dalam kajian media dan budaya. Diterjemahkan oleh Santi Indra Astute. Yogyakarta: bentang budaya pustaka.

Siregar et al., (2023). Nasionalisme Dalam Film Susi Susanti Love All. Ekspresi Dan Persepsi: Jurnal Ilmu Komunikasi. Vol. 6 (3). 580-593.

Maulana, Aziz, dan Catur Nugroho (2018). Nasionalisme dalam Narasi Cerita Film (Analisis Narasi Tzvetan Todorov pada Film Habibie & Ainun). 1 (2): 37-49

Puspitasari, Fanny Go (2013). Representasi Stereotip Perempuan dalam Film Brave. 1(2): 13-24

Sari, K Wulan, dan Cosmas G. Haryono (2018). Hegemoni Budaya Patriaki Pada Film (Analisis Naratif Tzvetan Todorov Terhadap Film Kartini 2017. 12 (1) : 36 -61

Tune, Warni Sumar (2015). Implementasi Kesetaraan Gender Dalam Bidang Pendidikan. 7 (10): 158 - 182

Umanailo, M Chairul Basrun (2019). Paradigma

Konstruktivis. DOI: 10.31219/osf.io/9ja2t

Dokumentasi:

KemenPPPA. “Emansipasi dan Kesetaraan Gender” www.kemenpppa.go.id.

Diakses pada Sabtu 3 Desember 2022.

https://www.kemenpppa.go.id/index.php/page/read/31/1373/emansipasi-dan-kesetaraan-gender

Lestari, Kintan. “Habibie Ainun 3 dan Imperfect Tembus 5 Besar Boc Office Indonesia” urbanasia.com.

Diakses pada Sabtu 26 November 2022.

https://www.urbanasia.com/habibie-ainun-3-dan-imperfect-tembus-5-besar-box-office-indonesia-U7627

MD Pictures. “Habibie & Ainun 3 – Interview Terakhir bersama Eyang Habibie” youtube.com

Diakses pada 18 Januari 2023

https://youtu.be/Smj4sQ0jetU

“MD Interview – Ainun adalah malaikat tanpa sayap” youtube.com

Diakses pada 18 Januari 2023

https://youtu.be/2qQeqAhIEZA

“MD Interview – Cerita Maudy Ayunda Memerankan Sosok Ainun” youtube.com

Diakses pada 18 Januari 2023

https://youtu.be/yGlfVmgF3PA

MD Interview - Hanung Bramantyo Menghadirkan Suasana Tahun 50an dalam Film Habibie & Ainun 3

Diakses pada 18 Januari 2023

https://youtu.be/WFqOBGCuODw




DOI: https://doi.org/10.47007/jkomu.v22i01.1479

Refbacks

  • There are currently no refbacks.


View My Stats